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::[enter site]:: gary numan fan site for gary numan fans | home | forum | discography | numanmetv | news | other | links | index | search | e-mail | gary numan gary anthony james webb (born 8 march 1958), better known by his stage name gary numan, is an english singer, songwriter, musician and record producer. born in hammersmith, london, he first entered the music industry as the lead singer of the new wave band tubeway army. after releasing two albums with the band, numan released his debut solo album the pleasure principle in 1979. most widely known for his chart-topping hits "are 'friends' electric?" and "cars", numan achieved his peak of mainstream popularity in the late 1970s and early 1980s, but maintains a loyal cult following. numan, whose signature sound consists of heavy synthesizer hooks fed through guitar effects pedals, is considered a pioneer of commercial electronic music. early life and education born in hammersmith, england, gary anthony james webb was the son of a british airways bus driver based at heathrow airport. webb was educated at town farm junior school in stanwell, surrey and ashford county grammar school, then slough grammar school, berkshire and brooklands technical college, surrey. he joined the air training corps as a teenager. he then briefly did various jobs including fork lift truck driver, air conditioning ventilator fitter, and clerk in an accounts department. when numan was 15 years old, his father bought him a gibson les paul guitar, which he regards as his most treasured possession. he played in various bands, including mean street and the lasers, before forming tubeway army with his uncle, jess lidyard, and paul gardiner. his initial pseudonym was "valerian", probably in reference to the hero in french science fiction comic series valrian and laureline. later he picked the name "numan" from an advert in the yellow pages for a plumber named a. neumann. tubeway army numan rose to prominence at the end of the 1970s as front man, writer, and producer for tubeway army. after recording an album's worth of punk-influenced demo tapes (released in 1984 as the plan), he was signed by beggars banquet records in 1978 and quickly released two singles, "that's too bad" and "bombers", neither of which charted. a self-titled, new wave-oriented debut album later that same year sold out its limited run and introduced numan's fascination with dystopian science fiction and synthesizers. tubeway army's third single, the dark-themed and slow-paced "down in the park" (1979), also failed to chart, but it would prove to be one of numan's most enduring and oft-covered songs. it was featured with other contemporary hits on the soundtrack for the movie times square, and a live version of the song can be seen in the movie urgh! a music war. following exposure in a television advertisement for lee cooper jeans with the jingle "don't be a dummy", tubeway army released the single "are 'friends' electric?" in may 1979. the single took seven weeks before finally reaching no. 1 at the end of june; the parent album replicas simultaneously reached no. 1. as gary numan a few months later numan found success in the charts on both sides of the atlantic with "cars", which peaked at no. 1 in the uk in 1979, no. 1 in canada and no. 9 in the us in 1980. "cars" and the 1979 album the pleasure principle were both released under numan's own stage name. the album reached number one in the uk, and a sell-out tour ('the touring principle') followed; the concert video it spawned is often cited as the first full-length commercial music video release. the pleasure principle was a rock album with no guitars; instead, numan used synthesizers fed through guitar effects pedals to achieve a distorted, phased, metallic tone. a second single from the album, "complex", made it to no. 6 in the uk charts. personality and style around this time, numan also developed his style. according to numan, this was an unintentional result of acne; before an appearance on top of the pops, he had "spots everywhere, so they slapped about half an inch of white makeup on me before i'd even walked in the door. and my eyes were like pissholes in the snow, so they put black on there. my so-called image fell into place an hour before going on the show". his "wooden" stage presence was, in his words, a result of extreme self-consciousness and lack of "showmanship". during this period, numan generated an army of fans calling themselves "numanoids", providing him with a fanbase which maintained their support through the latter half of the 1980s, when his fortunes began to fall precipitously. he later said that he, "got really hung up with this whole thing of not feeling, being cold about everything, not letting emotions get to you, or presenting a front of not feeling". 1980s numan performing in february 1980. in 1980, gary numan topped the album charts for a third time with telekon, with the singles "we are glass", "i die: you die" released prior to the album reaching no. 5 and no. 6. "this wreckage" taken from the album in december also entered the top 20. telekon, the final studio album that numan retrospectively termed the "machine" section of his career, reintroduced guitars to numan's music and featured a wider range of synthesizers. the same year he embarked on his second major tour ("the teletour") with an even more elaborate stage show than the touring principle the previous year. he announced his retirement from touring with a series of sell-out concerts at wembley arena in april 1981, supported by experimental musician nash the slash and shock, a rock/mime/burlesque troupe whose members included barbie wilde, tik and tok, and carole caplin. a live two album set from the 1979 and 1980 tours released at this time reached no. 2 in the charts. both albums, also individually released as living ornaments '79 and living ornaments '80 also charted. the decision to retire would be short-lived. departing from the pure electropop that he had been associated with, numan began experimenting with jazz, funk, and ethereal, rhythmic pop. his first album after his 1981 farewell concerts was dance (1981). the album charted as high as no. 3 on the uk charts, with an eight-week chart run and produced one hit single ("she's got claws") reaching no. 6.[citation needed] the album featured several distinguished guest players; mick karn (bass, saxophone) and rob dean (guitar) of japan, roger mason (keyboards) of models, and roger taylor (drums) of queen. with his former backing band, chris john payne (keyboards, viola), russell bell (guitar), and ced sharpley (drums) now reformed as dramatis, numan contributed vocals to the minor hit "love needs no disguise" from the album for future reference and lent vocals to the first single release by his long-term right-hand man paul gardiner, "stormtrooper in drag", which also made the charts. however, numan's career had begun to experience a gradual decline, and he was eclipsed initially by acts such as adam ant, and later by the human league, duran duran and depeche mode. each album also saw a new "image", none of which captured the public's imagination to nearly the same extent as the lonely android of 1979. the album i, assassin (1982) fared less well than dance. despite producing one top 10 and two top 20 singles, the album peaked at no. 8 with a six-week chart run.[citation needed] numan supported the album with a concert tour in america in late 1982 (where he was living as a tax exile), which were his first series of live shows since his farewell at wembley.[citation needed] warriors (1983) further developed numan's jazz-influenced style and featured contributions from avant-garde musician bill nelson (who fell out with numan during recording and chose to be uncredited as the album's co-producer), and saxophonist dick morrissey (who would play on most of numan's albums until 1991).[citation needed] the album peaked at no. 12, produced two hit singles includin

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  ARGS numanme.co.uk

  PORT 43

  TYPE domain

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You may not access the .uk WHOIS or use any data from it except as permitted
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  NS2.STREAMLINEDNS.CO.UK 213.171.212.13

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